2016 Roundup, 2017 Aims

What Have I Achieved In 2016?

This has been the year I’ve put my writing out into the world, although I’ve been working on the Dominions books since the start of 2015, and so this is really a look back over two years. I’ve been keeping track of the time I’ve spent on writing (and other aspects of ‘getting stories out there’), and so I can see how I’ve managed to carve out more time each week, and how I’ve increased the time I’ve spent on ‘non-story’ tasks like marketing (including writing stuff for this website). I’ve kept a track of my wordcount, and I’m faster now, which is helping me get first drafts done quicker (although, in some cases, the editing is taking longer). I managed to do 50k in a week over NaNoWriMo, which isn’t too shabby.

And I’ve made a start on the whole marketing side of things. I have this website. I’ve got covers that I like for the books, and I’ve had them edited. I’ve spent time on the product descriptions. I’ve been listening to podcasts and reading up on all aspects of writing and publishing over the last couple of years, and I’m starting to put some of this knowledge to work.

In some ways, getting a book out into the world is a major achievement, but in other ways it isn’t much at all. Many others have done just that, especially with the ease of independent publishing. One book is nothing. There are people producing a book each month. There are others making a killing with Facebook ads, and building a career from a few titles. There are independently published writers who have gone on to become not quite household names, but definitely people with strong, healthy reputations and careers.

Yet they all started from that first book. And now, with three books out, I’ve made a start. I haven’t made a great deal of money (in fact, this whole venture has cost me so far), but I didn’t expect to earn back expenses‌—‌not yet, anyway. I’m learning to split this ‘other job’ into two sides‌—‌writing and marketing. The writing is the fun, creative part‌—‌producing a story and refining it to make it the best I can. And the marketing side is what is needed to get it out into the world and help others see it. I have started to see that, at least in part, I am running a small business. Very few businesses make a profit over their first few months or years. They have start-up costs that need to be recouped (in my case, the cost of covers and editing, as well as expenses around the website and so on). They take time to grow. Many fail.

But, with writing, I have an advantage. I can do this around my day job. At the moment, anything the books bring in is a bonus. And, even if they never pay back their expenses, I can still enjoy writing.

That’s the fall-back position, though. I want to do what I can to make the business of writing work for me. I need to build on what I’ve done this year.

agenda-1458537_1280My Aims For 2017

I want to finish 2017 with more books, more readers, and a bigger platform. Obviously. But that’s far too vague to be a target, so I’ll narrow it down:

  • I will release at least two more Dominions novels. Along with this, I have a few shorter works in progress, and I will aim to have at least two of these out there, either as mailing list exclusives or on sale wide.
  • I will release three books in a new series. I’m working on this at the moment (the initial draft of the first book is done, and I have ideas for the follow-ups), and it looks like being a complete trilogy (although that might change). These books will be shorter (50-60k, whereas the Dominions novels tend to be around the 100k mark), so I think bringing out all three over the year is achievable.
  • I will explore more marketing ideas. One of the reasons for starting a second series while Dominions is still on the go is to give me more content to play with. Much as I like the idea of having my books ‘wide’ (available everywhere I can put them), being exclusive to Amazon through Kindle Unlimited does have certain benefits, and having a second series will enable me to explore this option. Also, as I release more Dominions novels, I can do more promotions on the first book. I intend to put the first three in a bundle, although I’m not sure if this will be next year or in 2018. And I will also have print versions of the Dominions books by the end of 2017.
  • I will keep this website regularly updated. I think my current schedule is sustainable, with one post and one short story every fortnight, but I might consider posting more often. I’m enjoying the short stories‌—‌they are not only fun exercises, but they also give me a break from the books. But the posts need to be tighter. I feel I tend to ramble (like I’m starting to do now), and if I focus more, they’ll read better, be shorter but to the point, and that might mean I can produce more of them.
  • I will communicate more with others. Okay, this could be (will be?) a hard one. I like writing because I can shut myself off from everything else. I’m pretty introverted, so reaching out is uncomfortable. But I realise it’s something I need to do. And so I’ll work on social media, finding out how different platforms work and which ones are the least uncomfortable. I have a mailing list set up, but I need to learn more about how to use that‌—‌when people sign up, I want them to feel that they are getting something in return for their e-mail address, beyond the free book. I realise this is vague as a target, but I don’t want to put figures on this. I don’t want to aim for so many followers or whatever, because that isn’t the point. I’d prefer a handful of people who read every e-mail or post rather than a few hundred who might run their eyes over something if I’m lucky. I want to use social media to reach both potential readers and people who can help me. I’m not aiming for quantity, but quality.
  • I will improve my writing. I know this is another vague target, and will be constantly on-going. It’s very subjective‌—‌a book that one person dismisses as badly written might be another person’s favourite. But I need to be as happy as I can be with my own writing. I need to keep reading, both craft books and fiction, in order to learn how others do things. I need to keep editing my own writing, applying the lessons I learn. And maybe there is a way to make this more specific. By the end of the year, I want to be able to look back at the books I’ve brought out so far and feel a tinge of embarrassment at some of the writing. I want to be able to see that I am improving.
  • I will be more active in my learning. Along with reading, I’ve been listening to various podcasts since the start of 2015, and the number of these that I follow has increased. I’m lucky in having a day-job that allows me to wear headphones and listen to stuff every so often. I’ve heard so many people give fantastic advice, and much of is has sunk in. But now, I need to be more pro-active in this. Over 2017, I’ll have a ‘good ideas’ list that I’ll add to whenever I hear or read something that might be useful, and I’ll make a note of what I’ve used.

Looking back over that list, there seems to be a lot to do. But that’s for the whole year‌—‌twelve months, fifty-two weeks. I’ve made a start, and I know I can find time for different tasks. I look forward to these quiet times of the mornings, with nobody else around and the sky still dark outside, and getting up early is now a habit that I can use.

I know I can achieve everything I’ve set out above, and I’m already anticipating the end of the year, when I look back on how far I’ve come. And yet, I’ll still have a long way to go.

See, this isn’t a race to the end of the year. This whole writing and independent publishing thing isn’t a case of reaching the end and stopping. There is no end. It’s a constantly evolving process. I’ve made a start, proved to myself that I can write and put that writing out into the world. Over 2017, I need to capitalise on that and improve, so that I can do even more in 2018.

And that all starts today.

A Perfectly-Sized Story: The Resurgence Of The Novella

With the growth of e-books, something interesting has been happening with story and book length. With the ease of putting out ‘books’, many people have tested the waters with short stories, but others have gone for something longer‌—‌not quite a novel, but more than a short. And it’s not only independently published authors who are getting in on this. James Patterson is now releasing his ‘bookshots’, billed as ‘stories at the speed of life’, and I’m sure other big names will follow soon.

This is nothing new, but maybe now it’s time is right.

Why now? Let’s take a step back.

Books for saleA few decades ago, when dinosaurs roamed the plain, there were places known as bookstores, where these strange physical objects called ‘books’ could be bought. Often, these bookstores stocked nothing but books, and many didn’t even sell coffee. If you wanted to read, you’d enter one of these establishments, browse the shelves, select what you wanted, then pay at the till, handing over these strange notes and scraps of metal that were called ‘money.’

It took time to choose the right book. Those in charge of these establishments would place titles they wanted to shift face-out, or even on separate displays. The reader would look for authors they knew and trusted, or maybe they’d be drawn in by an interesting-looking cover. They might pick up a book and read the back, or may even open the book (very carefully, making sure they didn’t damage the spine, because these were delicate, precious artifacts) and read a section.

And usually there were multiple books that looked promising. So how was one to choose, especially when they might all be available for the same price?

There was one fall-back position‌—‌look at the size of the book, either physically, or (if you were slightly more canny) at the page numbers and print size. And then you’d go for the largest book, because you got more for your money that way.

Maybe that’s being a little blunt, but the size of a book was one way publishers tempted readers, and it was rare to find a short book for sale. Yes, there were exceptions, but they tended to be classics like Of Mice And Men or Animal Farm, or one-offs by big-name authors that publishers were confident would sell.

Apart from these oddities, you were limited to novels or collections of short stories.

Fast-forward to today, when so much reading material is digital. How long is a book now? However long it needs to be. And I think this is great.

I like novels. I like having a story I can get my teeth into. But there are times when I want something else.

Short stories are great for reading while having a coffee. They are wonderful ways to fill ten minutes while waiting at the dentist (because, if your dentist is anything like mine, the time of your appointment and the time you are seen are never the same, and you don’t want to sit there doing nothing).

Then there are continuing stories. Look at any e-book retailer, and you will find series after series. This is, of course, nothing new, but it’s far more prevalent now. You can read a novel, then continue with another about the same characters, in the same world. You can be immersed in that world for far longer. If the series is good, your commitment will be rewarded with twists and turns you never saw coming. And independent authors, who can bring out new volumes at a fast rate (because they don’t have to deal with printing presses, or ensuring a good position in book stores), can keep readers of these ongoing sagas happy with multiple releases over the year.

But there’s one book length that, I feel, has benefited most from the e-book revolution, and that’s the novella. Technically, both ‘short books’ mentioned before fit into this category, as do things like The Old Man And The Sea. Publishers generally haven’t been too keen on novellas, mainly because they take almost as many resources as novels, but readers aren’t generally prepared to pay the same price for such a short book (why spend the best part of £10 or $10 or whatever on something barely over 100 pages when you can get a 500-page epic for the same price?). But with e-books, this problem goes away.

I’ve noticed myself reading more and more novellas over recent years, as I’ve switched from print to e-ink.

BookI’m one of those strange people who would rather read than watch TV. I do enjoy the occasional film, but I’d still prefer to relax with a book at the end of the day. And a novella is the perfect length for an evening of escapism. 25000 words, or just over 100 pages, normally takes a couple of hours to read, the same time as the average film. It’s a great length of time for an escape, and when I put the book down (okay, turn off the e-reader), I feel satisfied‌—‌I’ve had a complete story. I feel like I’ve been watching a film in my head, and now I’m emerging into daylight, my eyes adjusting after the dark of the cinema, sad to have to return to reality, but happy for the couple of hours I’ve been entranced by the story.

The comparison between novellas and films goes deeper. Many successful films have been based not on novels but on novellas (and short stories). In most cases, a novel contains too much to condense into a couple of hours on screen, and huge chunks have to be abandoned, or characters and events merged. But a novella is just right. Think of films like The Shawshank Redemption and Stand By Me, both of which came from Stephen King novellas. In fact, King’s written quite a few novellas, although they tend to turn up in collections like Four Past Midnight and Full Dark, No Stars, rather than being available on their own.

Also, some stories simply work better as novellas. I’ve read quite a few novels that have contained obvious padding, simply to make them fit a certain length. I’ve read short stories that felt rushed, and needed more time and space than they had been given.

Of course, there are other lengths of stories, from flash fiction to ongoing epics that never seem to end (and I realise that statement could be negative or positive, depending on preferences and the content itself). And with digital reading, they are all equally available.

So, if I want to escape for a couple of minutes while I wait for an appointment, I can grab a bit of flash fiction. I can have a coffee and take twenty minutes over a short story. I can spend an evening with a novella, or a few evenings with a novel. Or I could dedicate a few weeks to a series, delving deep into a new world.

Story length is no longer defined by physical parameters, or limited by cost and return-on-investment. Stories can truly be as long as they need to be.

And that has to be a good thing.

What I learnt from doing NaNo in a week

home-office-336378_1280At the start of November, I posted about how I wasn’t taking part in NaNoWriMo because I wasn’t ready to start writing a new draft (and you can read that post here). Instead, I set myself the challenge of completing the first round of editing Dominions 4 by the end of the month.

That went better than I expected. By the 20th of the month, I had the first edit finished. There’s still work to do, but I’ve sorted out the structure of the story, and I’m far happier with it. I need to let it sit for a while, then do another pass.

So I needed something else to do. As a breather, I re-read something I’d written before I started work on the Dominions series, just to see what I now thought of it. And I was pleasantly surprised. The story needed tweaking, but it was a good start, and I liked the characters. But the writing itself was pretty poor. Although I only wrote it a couple of years ago, I’ve learnt a great deal in that time.

I decided this story needed a re-write, and so I made notes of things I wanted to change, and off I went. It flowed well, at least initially, and I found myself getting words down at a fair pace.

I looked at the calendar, and I wondered‌—‌it was Wednesday 23rd of November when I started, a little over a week before the end of the month. Before the end of NaNoWriMo. 50,000 words.

Could I manage it?

I know some people write more than this in a week. Some people have managed to complete the NaNo challenge in 24 hours (I don’t think I can even type that fast!). So doing NaNo in a week should be feasible. Even with a full-time job, and a family. Maybe.

I honestly didn’t think I’d manage it when I started, but I found more writing time. I didn’t read as much in the evenings. I got up early both days over the weekend, instead of just one. I put headphones on to escape, and I wrote. And, as the week progressed, it looked more and more possible.

By the end of Tuesday 29th, I had 51,000 words. I’d (unofficially) managed NaNo in a week.

I started to do the maths. 50k in a week meant 100k in a fortnight. This would need editing, so maybe add a couple more weeks on top of this. These people who manage to write a book a month‌—‌I could see how that might be possible.

Only, for me, I know it isn’t. The maths doesn’t work like that. I might have managed 50,000 words in a week, but that was an anomaly.

I learnt a lot from that week.

There’s always time.clock-1634185_640

When I first wrote this story I was managing a couple of hours writing a week. I’ve pushed myself since then, settling into a routine that works for me, and am probably now averaging ten to fifteen hours. And now, within this final week in November, I found about thirty hours for writing.

The time is there. I just had to prioritise the writing over other things, like browsing the internet, or listening to music, or all the other things that seem to suck time.

And this is useful to know for the future. I can push myself to find more hours, if I’m determined. When I dream of getting something done my a certain time, I know that I can work at it. I can find the time.

But there’s another side to this…

push-150175_640Constant pushing is not good.

I like doing exercise. I do a couple of sessions on a bike each week, and I try to push myself hard. It feels good, but it feels even better to stop at the end.

Writing’s a bit like that. I’ve proved that I can push myself. But, once that week was over, I needed a rest. Once December arrived, I found myself lagging. I needed time to do other stuff‌—‌not only as a physical break, but also to let my mind go elsewhere. I needed to read, or to lounge about and listen to a bit of music. I needed to switch off.

At first, this did surprise me. I enjoy writing, so surely doing more of what I enjoy would be good?

But, as with the exercise, rest is just as important.

And there was another reason I wanted to slow down…

sloth-1531577_640Speed does not necessarily mean good writing.

This is an argument that is often levelled at NaNo, and all those authors who write books fast. But there is a counter-argument, that writing fast helps get the ideas down. If the story is planned, and you are ‘in the zone’, then it is good to let the words come. Besides, this is only the first draft. There will be time to edit later.

I subscribe to this idea. I have so far found writing the first draft to be the quickest, and most enjoyable, part of the writing process.

Yet I started questioning that for this story. As I neared 40,000 words I felt myself questioning what I was writing. I’d strayed from the original story a few times, and I’d struggled to get it back on track. Characters were doing things that made the continuing story awkward‌—‌not bad things, and some of the scenes worked well. But not in context of the story.

I was conscious of needing to pull things together as I wrote, but I was also racing that 50,000 word target, and I didn’t want to stop.

At about 60,000, a few days into December, I did stop. And I realised the story had derailed. I wasn’t as sure of it any more. I needed a rethink.

I see now that it would have made more sense to stop over the weekend and reassess. I needed to go back to my planning and re-work it. But if I’d done that I wouldn’t have completed the challenge.

And this is stupid. Who cares how many words I manage in a week? Anyone reading my books is only interested in how good the story and the writing is. They don’t want‌—‌and don’t deserve‌—‌second-rate work that was done in a race.

mark-516277_640Focusing on one thing means ignoring others.

Normally, I try to do a few things related to writing over the week. I’ll be writing or editing in the mornings, but I’ll be doing stuff connected with marketing in the evenings‌—‌or, at least, this is the plan. I’m a beginner at the whole marketing / business thing, and I know there’s a great deal I need to learn.

Yet for that week at the end of November, I ignored all of this. I only wrote.

And this isn’t healthy. The books are more than the writing. If I want to do them justice, I have to look after them as best I can. I have to look at how I can find readers who might be interested in them. I have to find ways to make readers aware of the world of Dominions. I have to plan other books. I have to learn more about writing, and the craft of storytelling, as well as all this marketing stuff.

Going back to the exercise analogy, if I did nothing but use an exercise bike, I’d be doing myself a disservice. Yes, aerobic exercise is good, and cycling will build up my legs, but what about the rest of me? To get the best out of what I do, I need to have variety. I need to focus on different parts of my body at different times.

It’s the same with writing. If I only focus on getting words onto the page, there’s so much I’m missing. I should be thinking about story, and covers, and product description. I need to look for ways to communicate with (potential) readers. This is as much about marketing as it is about creativity.

Getting words down is only one part of producing books.

Writing

So I’ve managed NaNo in a week. I have half a story, and I’m not too happy with how it’s turned out. Can I call this a success?

It depends on how you look at things.

The story’s a mess, but I’ve learnt from this. One of the ways of discovering what works in storytelling is to look at what doesn’t work and change it. Everything can be a positive learning experience. Overall, despite not being sure what I want to do with this story now, I’m pleased I managed this challenge. Sometimes, knowing you can meet a challenge is success in itself.

Besides, I managed my first challenge too. I’ve got an edit of Dominions 4 that I’m pretty pleased with. That alone is good enough for a month.

Now all I need to do it the next edit. And the next.

And work on some other books.

And learn more.

And remember to relax.

After all, I’m doing this because I enjoy it. After a few down days, I’ve got my enthusiasm back for writing.

Time for another challenge.

Are e-books good or bad?

I can’t remember the last time I bought a physical book. I was given one about three years ago, but I only read it out of a sense of duty (it was connected with my work at that time). But it’s been even longer since I bought a book that wasn’t electronic.

When I got my first e-reader (an old Sony thing), I imagined I’d use it solely for free classics, all those books I told myself I really should read at some point. I downloaded text files from the Project Gutenberg website and converted them to PDF (because I wasn’t too keen on how epubs looked on that old machine). I thought I’d still buy and read physical books.

Fast-forward to today‌—‌my Kindle is in daily use, and I can’t imagine going back to reading paper.

But e-books aren’t perfect. Like anything, there are pros and cons — and sometimes it’s hard to tell one from the other.

tablet-1632909_1280

Pro‌—‌nobody can see what I’m reading.

I’m not embarrassed about what I read, but I’m also a private person. I don’t always read books I particularly like, either‌—‌sometimes I read books because I want to know what all the fuss is about. When I’m doing this, I don’t relish the thought of someone judging me based on that. I don’t want to be classified as a reader of such-and-such rubbish. I don’t want people to mentally pigeon-hole my reading habits based on one book.

E-books are popular with readers of genre fiction more so than of literary fiction, and I think the anonymity of e-reading goes some way to explaining this. ‘Education’ tells us we should be reading ‘intellectual’ books, and that only great literature is worthy of our time. On one level we buy into this, yet we still yearn for simple good stories. We want the thrill of a chase, or a book that’s a bit close to the bone. Sometimes we want popcorn entertainment. Sometimes‌—‌maybe much of the time‌—‌we want to relax with a good book rather than wrestle with a great one.

Con‌—‌nobody can see what I’m reading.

But there are advantages to displaying reading material. If I have a particular book in my hands it can work as an ice-breaker to start a conversation. I may want to impress others with what I am reading. It is part of the appeal of coffee-table books, those tomes that get displayed at home to show what kind of people we are, even if they are never opened.

I still have physical books, and I still store them on shelves. But I don’t touch them now. They are pretty much there for decoration, and they don’t represent what I’ve been reading over the past few years. I like the idea of having a ‘library’, a space where I can be surrounded by books, but it would be purely cosmetic, because all my reading is done on a little device with a plain black cover.

Sometimes, we want to advertise our tastes to others. Sometimes we want to draw admiring looks, or even provoke arguments. Sometimes, the anonymity of e-readers keeps us too far apart from others.


Pro‌—‌I can have a vast library of books available to read at any time.

I love the idea that through one small device I have access to more reading material than I can ever consume. I can select new titles without having to move from my chair. I no longer need to travel into town, find a bookshop, then hope it has what I want in stock. Now I can order practically anything I can think of, and be reading it a minute later.

I’ve just checked, and I have over two thousand e-books. I can’t imagine how much space they’d take up as physical objects. I’d need a separate room at least. We’d need a bigger house, one we can’t afford. But with e-books, I am no longer constrained by physical objects, or physical places. I can have this vast library with me at all times. And with apps, I don’t even need a dedicated e-reader. I just need my phone.

When I go on holiday, I don’t have to think about what books to take with me beforehand. If I have the urge to read an old Harry Harrison short, I can do just that in a moment. If I decide to get all intellectual and finally try some Proust, there is nothing stopping me. If I want to re-read Gormenghast, I don’t have to hunt for the book on my shelves.

I have instant access to more books than I could ever read. I am spoilt for choice.

Con‌—‌I can have a vast library of books available to read at any time.

With thousands of books, and access to thousands more, I find it hard to keep track of what I’ve read and what I haven’t. There are books on my ‘to read’ list that I’m starting to think will never be opened.

How many books can I read in my lifetime? How much of my free time can I dedicate to reading?

At the moment I average two or three books a week, which equates to somewhere over a hundred a year. Over a decade I might get through one thousand books, maybe pushing towards two thousand. I might finish all the books I already have over the next twenty years.

But, of course, by then I’ll have downloaded even more, and I’ll still have a backlog to get through. Those books on my ‘to read’ list will still be sitting there, reminding me that I’m too often skimping on the harder reads, settling for popcorn when I should be putting my mind through a workout.

And I’ll feel bad about that, so I’ll download something that looks fun, just to cheer myself up.

But I’ll still be drowning in a sea of never-ending titles.


Pro‌—‌with the ease of creating e-books, publishing is open to everyone.

I have found some fantastic books over the last few years, and very few of them have been through traditional publishers or physical bookstores. Many of my new favourite authors have gone the independent-publishing route, and are making a living through their art, which gives them the time to produce even more books.

There are stories of authors being rejected by publishing companies because their books are ‘not commercial’, or that their particular genre is unpopular at the moment, then going on to sell thousands off their own efforts. Yes, their books might not be ‘commercial’, but in a connected world with billions of readers, there are always going to be enough readers who enjoy a particular style to keep these authors going.

And, because anyone can write and publish a book now, people can take chances. Want to kill off your main character in the first act? No problem. Want to write a book in first person future tense? Give it a shot. Want to release your story as a series of shorts? Hey, with indie-publishing, you can do anything.

Of course, not all these ideas will work. Many will be unpopular with the majority of readers. But that shouldn’t be a reason to stop trying. If there are only a handful of readers who connect with your books in each country, that can still give the indie-published author a sustainable career. And for these readers with these specific tastes, the fact that someone is writing these bizarre books that they love is incredible. Finally, they don’t have to rely on mass-market books chosen by some arbitrary gatekeepers for their suitability to create money for a large company. Finally, individuals can write what they want and set it free for those select few who will appreciate it.

The freedom of e-books means everyone is free to create. And that means more and more books. If many of them don’t float your boat, there will still be thousands that do.

Cons‌—‌with the ease of creating e-books, publishing is open to everyone.

Since getting into e-books, I’ve read some absolute rubbish. I’ve found myself questioning if the author is writing in their second language. I’ve found myself picking apart the writing because it’s more fun than trawling through the turgid prose and unrealistic dialogue in search of an engaging story. I’ve read books with so many gaping plot holes, and such a lack of logic, that I question if the author was thinking at all, or if they even read books.

How much of my time can I afford to waste reading this dross?

There is so much information on e-book marketing out there that it is no longer a case of judging a poor book by a poor cover. Some of this rubbish has fantastic covers, and the authors clearly know a thing or two about effective marketing. They are well-formatted, and it looks like care has been taken on their creation. And yet, the writing itself is still terrible. Often, the reader only finds this out when they’ve already started reading.

I don’t like leaving a book unfinished, and I don’t like the idea of throwing something away (or deleting it). And so I feel that I have to waste my time and storage on trash.

When everyone is free to publish, where is the quality control?


Three reasons why e-books are fantastic, and the same three reasons showing their problems. Which ones are right? That’s up to you. Personally, I realise there are issues with e-books, but I love the positives they bring. When people talk of e-books destroying reading, I remember that over the last few years, as I have stopped buying physical books, I have been consuming more and more. I read more now than I ever did.

Are e-books good or bad? That’s not a sensible question.

The printing press can be used for uplifting tracts or hate-filled propaganda. Film and TV can give thought-provoking drama or mindless gossip. Radio can fill our minds or simply be background noise. Stories told round the camp fire can be thrilling adventures or ego-filled monologues.

E-books are simply another way of presenting information and telling stories. They are not good or bad in themselves.

It is, as it always has been, the words themselves that matter.

New short story – ‘Allegiance’

I’ve put up another short story, called Allegiance. Hope you like it.

It’s another experiment‌—‌I wanted to see if I could write something purely in dialogue. I’ve seen this kind of thing used before, both as part of a book (e.g. Orson Scott Card’s Ender’s Game), and even as a whole book (A Closed Book by Gilbert Adair), but it’s hard to pull off. I’ve heard quite a few complaints about the dialogue-only passages in Ender’s Game (although I personally like them‌—‌they add a nice touch of mystery from the very start).

Anyway, I think I’ve done okay in this story. You can read it here, and you can check out my other short stories here.

Dark Glass now 99p/99c!

Dark Glass (Dominions I)

Until the end of November, Dark Glass (Dominions I) is available for the bargain price of 99p/99c (or your local equivalent).

Click here to see all the stores where it can be found.

You can also pick up a copy of the exclusive Dominions novella Control when you join my mailing list.

If you come across a store where Dark Glass is still at it’s usual full price (and it is still November), please let me know.

Don’t forget‌—‌this offer is only until the end of November. Come December, Dark Glass will return to it’s full price.