I recently read the Tube Riders trilogy by Chris Ward, and I loved the books. It’s great when I come across an author who blows me away like this—it makes reading all those ‘so-so’ books (and worse) worth it all when you find a true gem.
I posted a short review on Goodreads (you can check it out here), but that looks at the trilogy from a reader’s perspective. However, while reading the books, there was so much I picked up on as a writer. As well as being enjoyable, entertaining reads, they were also instructive. Below are a few of the things that stood out.
I love the way the characters were written in these books. They are all three-dimensional, and they all change over time. When their is dialogue, they have distinctive voices. And they also all have their faults as well as their strengths.
An obvious example is the character of Stitch. He is one of the Tube Riders, which makes him one of the heroes, but he has a nasty side, and at times he comes across as very selfish. Or maybe he’s so used to having to look out for himself that others are secondary—after painting him as a slightly unsavoury character, we get a glimpse of the hardness of his life. It’s easy to understand why he’s wary of anyone new, and maybe we can understand why someone like Stitch would use violence to solve his problems.
Yet he is also loyal, and throughout the books you kind of know he will come through for the others in the end.
Then there are the baddies.
In the first book, one of the agents after the Tube Riders is Clayton. He wants to capture them, so he’s clearly a baddie. But he’s working for the government because he believes that is the right thing to do. And, as that first book progresses, he comes up against other government agents, and we see how not all ‘baddies’ are the same. Clayton is not mindlessly following orders—he genuinely wants to do what he believes to be right. And this brings him into conflict with other government agents, even though they are ‘on the same side’.
More interesting is the Governor. He’s the main villain of the trilogy, but the way he is written it is clear that he also believes in what he is doing. He is not afraid of making hard decisions, and is willing to make sacrifices (of others) for the greater good. And we get glimpses of his true motivations, which make us question our assumptions, at least for a while. Is he really evil, or just misguided? As the trilogy progresses, and he seems to become more unhinged, there was a part of me that wanted him to make the right decision, and to turn his back on his wrongdoing. Even up to the end, he has the potential for redemption.
I’m not going to say how he ends up—you’ll have to read the books to find out.
Nobody Is Safe
The protagonists in these books are young, but they are in a tough situation. Their world is nasty, and they take risks in part because of this. Death is in the air, even in their hobby of tube riding (jumping and ‘riding’ moving trains before leaping off to safety). In the first chapter, we hear of those who have died doing this.
But the heroes won’t die, right? They all need to survive to the end, don’t they?
In many books, that would be true. But Chris Ward does something near the start of Tube Riders that lets us know that nobody is safe.
I’m going to give a little of the story away, so if you want to read the books without spoilers, skip down to the next section. But this is something that happens near the start, so it’s not like I’m giving any of the main plot points away.
The Tube Riders have rivals, in the form of the Train Jumpers. Instead of leaping onto moving trains, they jump from platform to platform in front of trains, aiming to get as close as they can. The Train Jumpers hate the Tube Riders. And if that sound like petty, childish behaviour, remember that these characters are teens and young adults—acting childish is in their nature.
One of the Tube Riders feels dissatisfied with his gang, and he goes to the Train Jumpers, betraying his old gang. It’s a bit of a shock, so soon into the story. It makes us question the loyalty of all the Tube Riders—if one of them can defect, so could others.
Then something worse happens. The Jumpers seem to accept him, and as an initiation he has to join them in a jump. Yet this is a set-up. He is pushed as he is about to jump, and he falls under the train.
He’s only in the book for a few chapters, but he was one of the Tube Riders. He was one of the heroes. And now he’s dead. The stakes are raised for all the others—if one of the Tube Riders can die, none of them are safe.
This sets up more deaths as the books progress, and those deaths underline the overall uncertainty. It’s the same thing George RR Martin pulled in his Game Of Thrones books—kill off a main character, then nobody is safe.
The reader is no longer assured a happy ending.
A Trilogy Of Complete Stories
I was impressed with the structure of this trilogy. The story unfolds, with more and more intrigue and questions blossoming in the first book. Obviously, not all of these questions can be answered in a single book. You know, as a reader, that things will only be resolved at the end of the third book.
Yet there is no major cliffhanger between books. In each part of the trilogy, there is an arc, with its own satisfying conclusion.
This is so different to many other series I’ve read. Often, an ending seems in sight, but the author swerves at the very last moment, and leaves the main character in jeopardy. Sometimes, I’ll reach the end of a book, and it feels incomplete, like the author has simply chopped up a larger story.
This annoys me. Yes, leave questions unanswered. But I expect a book to end. I expect the author to craft a good story with a satisfying payoff at the end, even if I know there is more to come.
Chris Ward, as I have said above, manages to pull this off. If I read these books individually, over a year or so as they were released, I would not feel let down. I would close each one with a good feeling while still be anticipating the next one.
How does he manage this? By focusing on the main arc of that story. In the first book, the Tube Riders are trying to escape. Yes, we learn more about the Governor, and there are hints at what he is planning. There are characters who we just know have more of a part to play later on. But the escape is important, and when this arc is completed (spoiler alert—they escape), the book is finished.
As a trilogy, the conclusion works, although there is scope for more books (as you would expect with such an interesting world and a rich cast of characters). I understand that the author does not intend to write more sequels, but has not ruled out other stories set in the same world (in fact, there is a fourth book, filling in some of the time between the second and third in the trilogy. I’ll let you know what I think of this when I’ve read it).
The Writing Itself
I love the writing in these books.
We see events through different characters, and the prose in each character’s section has their voice, putting us in their heads wonderfully. As an example, when we are with Stitch, there is far more cursing in the descriptions, fitting his character. The Governor is colder, with less emotion in what he sees.
The dialogue feels so natural. I’ve already mentioned how characters have their own voices, but there was something else about the dialogue that impressed me. Often, rather than writing loads of history or backstory, authors will use dialogue to give the reader this information. However, this often feels unnatural and stilted. Not so in these books. The info-dumps are a natural part of the conversations, and we learn what the characters are learning.
There is a great deal of action in these books. This is promised from the very first scene, with the Tube Riders partaking of their potentially lethal hobby. Later there are chases, fights on the tops of moving trains,beatings, and loads of other exciting stuff.
I’ve read far too many books where the action reads like a description of a film—blow-by-blow fights, or sequences that simply have too much detail. And writing like that becomes tiresome very fast.
Chris Ward doesn’t fall into this trap. In every action scene, we stay with a main character, and experience it through their senses, filtered through their emotions. We might never see the bigger picture, but the chaos surrounding a scared individual fighting for their lives had far more impact, getting the adrenaline flowing and the heart pumping. And there is a reason for every action scene. We learn, through the fights, more about the characters, or about the world around them.
The action is not added simply to make the books more interesting. It is integral to the story, and the development of the characters.
So, there you have a few of the things I picked up on while reading the Tube Riders trilogy. As you can no doubt tell, I was impressed. I’m going to be following Chris Ward from now on, reading more of his books (and his newsletters — he asks some interesting questions). He’s my kind of author—exciting, entertaining, and instructive.